FAWM 2020 #5: Two-Hearted
Jumped off from the name of a well-loved beer, to crying in it.
Jumped off from the name of a well-loved beer, to crying in it.
This tune is for the "It's a Sign" challenge:
There was a dancehall south of Houston, called Eddie's Country Ballroom.
It had about a half-acre dance floor, but no liquor license (the
county was dry, I think), and sold only setups (for BYOB) and snacks.
It was a family-friendly place, with a sign at the door: "No one under
18 admitted without parent or husband of age."
Instrumental only, for now, as if feels complete-ish that way. I'm
gonna claim the "Folk Tune" challenge for borrowing both Mendelssohn's
and Wagner's wedding tunes.
Started this while driving back to Virginia from Texas: the original
line was "Rollin' into Memphis, and my biscuit's gettin' stale."
Somehow it took a different turn from there. :)
2020-02-18: Updated with a new remix: somehow I managed to lose all
the sustain pedal automation in the first version, which meant the wurly
sounded *nothing* like what I intended. Funny not to be able to hear
that until now.
I shop at my neighborhood Latin market fairly often, and wondered what goes through the employees and other customers minds.
Tip of the hat to the various incarnations of the Hokum Boys, and in particular to Bo Chatmon / Carter, "the master of the single entendre."
Jumps off from Luke 9:62.
Public domain challenge. Use / set Yeats' "Aedh Wishes for the Cloths of Heaven".
Came to me today out of the blue^W orange, somehow.
Thanks to @bradbrubaker for the pointer to the Yellowstone sound
library! Samples from
https://www.nps.gov/yell/learn/photosmultimedia/soundlibrary.htm:
- Ruffed grouse (kick drum)
- Bull elk antler battle (rimshot)
- Bison rut
- Bull elk bugling
- Boreal chorus frogs
- Spadefoot toad
- Fountain Paint Pot (background rumble)
A little more production than my usual output, but I'm having fun with it.